| ARTIST | ALBUM TITLE | LABEL |
| 75 Dollar Bill | I Was Real | Tak:til |
| Adia Victoria | Silences | Atlantic |
| Aki Takase’s Japanic | Thema Prima | BMC |
| Aldorande | Aldorande | Favorite Recordings |
| Alejandro Coello | Percussion Theory | Alejandro Coello |
| Alex Rex | Otterburn | Tin Angel |
| Alexander Hawkins | Into The Wind | Intakt |
| Allison Miller’s Boom Tic Boom | Glitter Wolf | Royal Potato Family |
| Altin Gun | Gece | Glitterbeat |
| American Football | LP3 | Big Scary Monsters |
| Anderson.Paak | Ventura | Aftermath Entertainment |
| Andrew McCormack’s Graviton | The Calling | Ubuntu |
| Angel Bat Dawid | The Oracle | International Anthem |
| Angelique Kidjo | Celia | Decca France |
| Anton Eger | AE | Edition |
| Art Ensemble Of Chicago | We Are On The Edge: A 50th Anniversary Celebration | PI Recordings |
| Bassekou Kouyate & Ngoni Ba | Miri | Out Here |
| Bedouine | Bird Songs Of A Killjoy | Spacebomb |
| Beirut | Gallipoli | 4AD |
| Beth Gibbons & Polish National Radio Symphony Orchestra | Henryk Gorecki: Symphony No. 3 (Symphony of Sorrowful Songs) | Domino |
| Better Oblivion Community Centre | Better Oblivion Community Centre | Dead Oceans |
| Big Thief | U.F.O.F. | 4AD |
| Bill Callahan | Shepherd In A Sheepskin Vest | Drag City |
| Bill Frisell & Thomas Morgan | Epistrophy | ECM |
| Bill Mackay | Fountain Fire | Drag City |
| Billie Eilish | When We All Fall Asleep, Where Do We Go? | Interscope |
| black midi | Schlagenheim | Rough Trade |
| Boogarins | Sombrou Duvida | OAR |
| Brad Mehldau | Finding Gabriel | Nonesuch |
| Branford Marsalis | The Secret Between The Shadow and the Soul | Sony |
| Brian Krock | liddle | Brian Krock |
| Bruce Hornsby | Absolute Zero | Thirty Tigers |
| Bruce Springsteen | Western Stars | Columbia |
| Burnt Friedman | Musical Traditions in Central Europe - Explorer Series | Nonplace |
| Calexico and Iron & Wine | Years To Burn | City Slang |
| Cass McCombs | Tip Of The Sphere | ANTI- |
| Cassius | Dreems | Toilet Paper/Miko Miko/Caroline International |
| Caterina Barbieri | Ecstatic Computation | Editions Mego |
| Chaka Khan | Hello Happiness | Diary/Island |
| Chemical Brothers | No Geography | Virgin EMI |
| Chris Forsyth | All Time Present | No Quarter |
| Chris Potter | Circuits | Edition |
| Chris Robinson Brotherhood | Servants Of The Sun | Silver Arrow |
| Christian Scott aTunde Adjuah | Ancestral Recall | Stretch Music/Ropeadope |
| Cinematic Orchestra | To Believe | Ninja Tune |
| Clever Austin | Pareidolia | Touching Bass |
| Cochemea | All My Relations | Daptone |
| Damon Locks/Black Monument Ensemble | Where Future Unfolds | International Anthem |
| Daughter Of Swords | Dawnbreaker | Bella Union |
| Dave Douglas, Uri Caine, Andrew Cyrille | Devotion | Greenleaf |
| Dave Harrington Group | Pure Imagination, No Country | Yeggs |
| David DeRose’s Agile Experiments | The Ultimate Guide To Avant-Garde-Step | Agile Experiments |
| David Torn, Tim Berne, Ches Smith | Son Of Goldfinger | ECM |
| Death and Vanilla | Are You A Dreamer? | Fire |
| Deerhunter | Why Hasn’t Everything Already Disappeared? | 4AD |
| Dominic Miller | Absinthe | ECM |
| Duncan Eagles | Citizen | Whirlwind |
| Durand Jones and the Indications | American Love Call | Dead Oceans |
| Earth | Full Upon Her Burning Lips | Sargent House |
| Ebi Soda | Bedroom Tapes | Sola Terra |
| Elena Setien | Another Kind Of Revolution | Thrill Jockey |
| Eli Winter | The Time To Come | Blue Hole Recordings |
| Elkhorn | Sun Cycle/Elk Jam | Feeding Tube |
| Elliott Galvin | Modern Times | Edition |
| Elliott Galvin & Binker Golding | Ex Nihilo | Byrd Out |
| Ex Hex | It’s Real | Merge |
| Ezra Collective | You Can’t Steal My Joy | Enter The Jungle |
| Faye Webster | Atlanta Millionaires Club | Secretly Canadian |
| Fennesz | Agora | Editions Mego |
| Filthy Friends | Emerald Valley | Kill Rock Stars |
| Fire! Orchestra | Arrival | Rune Grammofon |
| Firefly Burning | Breathe Shallow | Firefly Burning |
| Flying Lotus | Flamagra | Warp |
| Forest Management | Passageways | Whited Sepulchre |
| Garcia Peoples | Natural Facts | Beyond Beyond Is Beyond |
| Georgia Anne Muldrow | VWETO II | Mello Music Group |
| Girl Unit | Song Feel | Night Slugs |
| Guided By Voices | Zeppelin Over China | GBV Inc |
| Gwilym Simcock | Near and Now | ACT |
| Hayden Thorpe | Diviner | Domino |
| Hedvig Mollestad Trio | Smells Funny | Rune Gramofon |
| Hejira | Thread Of Gold | Lima Limo |
| Helado Negro | This Is How You Smile | RVNG Intl. |
| High Aura’d and Josh Mason | Lower Yr Voice | s/r |
| Hildur Gudnadottir | Chernobyl (Music From The Original TV Series) | HBO/Touch Music |
| Holly Herndon | PROTO | 4AD |
| Hot Chip | A Bathfull Of Ecstasy | Domino |
| House and Land | Across The Field | Thrill Jockey |
| Ibibio Sound Machine | Doko Mien | Merge |
| Ishmael Ensemble | A State Of Flow | Severn Songs |
| Jai Paul | Leak 04-13 (Bait Ones) | XL |
| Jake Xerxes Fussell | Out Of Sight | Paradise Of Bachelors |
| James Blake | Assume Form | Polydor |
| Jamila Woods | LEGACY! LEGACY! | Jagjaguwar |
| Jeff Ballard | Fairgrounds | Edition |
| Jenny Lewis | On The Line | Warner |
| Jessica Pratt | Quiet Signs | City Slang |
| JJ Cale | Stay Around | Because Music |
| Joe Jackson | Fool | Earmusic |
| John Turville | Head First | Whirlwind |
| Jon Collin | Water & Rock Music Volumes 3 - 6 | Early Music |
| Jonny Mansfield | Elftet | Edition |
| Jonny Nash | Make A Wilderness | Music From Memory |
| Joshua Abrams & Natural Information Society | Mandatory Reality | Eremite |
| Julia Jacklin | Crushing | Transgressive |
| Julia Kent | Temporal | The Leaf Label |
| Julian Lage | Love Hurts | Mack Avenue |
| Kehlani | While We Wait | WEA International |
| Kel Assouf | Black Tenere | Glitterbeat |
| Kelly Finnegan | The Tales People Tell | Colemine |
| Kelsey Lu | Blood | Columbia |
| Kevin Morby | Oh My God | Dead Oceans |
| King Midas Sound | Solitude | Cosmo Rhythmatic |
| Kyle Bobby Dunn | From Here To Eternity | Past Inside The Present |
| Lafawndah | Ancestor Boy | Concordia |
| Lambchop | This (Is What I Wanted To Tell You) | City Slang |
| Lau | Midnight and Celebration | Reveal |
| Laura Cannell | The Sky Untuned | Brawl |
| Laurence Pike | Holy Spring | Leaf |
| Lee Fields & The Expressions | It Rains Love | Big Crown |
| Leif | Loom Dream | Whities |
| Liam Hayes | Mirage Garage | Weird Vacation |
| Liam Noble | The Long Game | Edition |
| Little Steven & The Disciples Of Soul | Summer Of Sorcery | Wicked Cool/Universal |
| Luke Abbott | Music From The Edge Of An Island | FLOAT |
| Maggie Rogers | Heard It In A Past Life | Polydor |
| Makasi Batoh | Nowhere | Drag City |
| Mariee Sioux | Grief In Exile | Night Bloom |
| Marilyn Mazur’s Shamania | Marilyn Mazur’s Shamania | RareNoise |
| Mark Lockheart | Days On Earth | Edition |
| Mary Lattimore & Mac McCaughan | New Rain Duets | Three Lobed |
| Matmos | Plastic Anniversary | Thrill Jockey |
| Matthew Herbert Big Band | The State Between Us | Accidental |
| Maurice Louca | Elephantine | Northern Spy |
| Mavis Staples | Live In London | ANTI- |
| Mavis Staples | We’ll Get By | ANTI- |
| Mdou Moctar | Ilana (The Creator) | Sahel Sounds |
| Mega Bog | Dolphine | Paradise Of Bachelors |
| Mekons | Deserted | Glitterbeat |
| Mercury Rev | Bobbie Gentry’s The Delta Sweete Revisited | Bella Union |
| Michael Chapman | True North | Paradise Of Bachelors |
| Miguel Gorodi Nonet | Apophenia | Ubuntu |
| Mike Walker | Ropes | Market Square |
| Mr. Tophat | Dusk To Dawn | Twilight Enterprise |
| Nakhane | You Will Not Die | BMG France |
| Nick Walters & Paradox Ensemble | Awakening | 22a |
| Nils Lofgren | Blue With Lou | Cattle Track Road |
| Nivhek | After its own death/walking in a spiral towards house | YELLOWELECTRIC |
| Nkisi | 7 Directions | UIQ/NON Worldwide |
| Nubiyan Twist | Jungle Run | !K7 |
| Oren Ambarchi, Mark Fell, Will Guthrie, Sam Shalabi | Oglon Day | 33 33 |
| Orville Peck | Pony | Sub Pop |
| Our Native Daughters | Songs Of Our Native Daughters | Smithsonian Folkways |
| Padang Food Tigers | Wake Up, Mr. Pancake | Blue Hole Recordings |
| Panda Bear | Buoys | Domino |
| Paper Tiger | Rogue Planet | Wah Wah 45s |
| Park Jiha | Philos | Tak:til |
| Partisans | Nit De Nit | Whirlwind |
| Patchwork Jazz Orchestra | The Adventures of Mr. Pottercakes | Spark |
| Pelican | Nightime Stories | Southern Lord |
| Pile | Green and Gray | Exploding In Sound |
| Plaid | Polymer | Warp |
| Pond | Tasmania | Marathon Artists |
| Pure Bathing Culture | Night Pass | Infinite Companion |
| Puto Tito | Carregando A Vida Atras Das Costas | Principe Discos |
| Pye Corner Audio | Hollow Earth | Ghost Box |
| Quelle Chris | Guns | Mello Music Group |
| Rhiannon Giddens with Francesco Turrisi | There Is No Other | Nonesuch |
| Rian Treanor | Ataxia | Planet Mu |
| Richard Skelton | Border Ballads | Corbel Stone Press |
| Rickie Lee Jones | Kicks | The Other Side Of Desire/Thirty Tigers |
| Robert Ellis | Texas Piano Man | New West |
| Robert Forster | Inferno | Tapete |
| Ron Gallo | Stardust Birthday Party | New West |
| Royal Trux | White Stuff | Fat Possum |
| Rustin Man | Drift Code | Domino |
| Sacred Paws | Run Around The Sun | Rock Action! |
| Salif Keita | Un Autre Blanc | Naive/Believe |
| Sarah Davachi | Pale Bloom | W. 25th/Superior Viaduct |
| Sarah Louise | Nightime Birds and Morning Stars | Thrill Jockey |
| Sarah Tandy | Inflection In The Sentence | Jazz re:freshed |
| School Of Language | 45 | Memphis Industries |
| Scopes | Scopes | Whirlwind |
| Seabuckthorn | Crossing | Eilean |
| Seamus Blake | Guardians of the Heart Machine | Whirlwind |
| Sebadoh | Act Surprised | Domino |
| Seed Ensemble | Driftglass | Jazz re:freshed |
| Sharon Van Etten | Remind Me Tomorrow | Jagjaguwar |
| Shiva Feshareki | New Forms | Resist |
| Slauson Malone | A Quiet Farwell, Twenty Sixteen to Twenty Eighteen | Grand Closing |
| slowthai | Nothing Great About Britain | Method |
| smileswithteeth | Care | Never Content |
| Sneaks | Highway Hypnosis | Merge |
| Solange | When I Get Home | Columbia |
| Steve Gunn | The Unseen In Between | Matador |
| Steve Lacy | Apollo XXI | 3qtr/AWOL |
| Stuart A. Staples | Music For Claire Denis’ High Life | Lucky Dog/City Slang |
| Sunn O))) | Life Metal | Southern Lord |
| Sunwatchers | Illegal Moves | Trouble In Mind |
| Susanna & The Brotherhood Of Our Lady | Garden Of Earthly Delights | SusannaSonata |
| Swervedriver | Future Ruins | Rock Action! |
| Teeth Of The Sea | Wraith | Rocket |
| The Budos Band | V | Daptone |
| The Comet Is Coming | Trust In The Life Force Of The Universe | Impulse!/UMG |
| The Delines | The Imperial | Decor |
| The Dream Syndicate | These Times | ANTI- |
| The Gloaming | The Gloaming 3 | Real World |
| The Long Ryders | Psychedelic Country Soul | Cherry Red |
| The O’Jays | The Last Word | S-Curve |
| The Unthanks | Lines | Rabble Rouser |
| Theon Cross | Fyah | Gearbox |
| These New Puritans | Inside The Rose | Infectious/BMG |
| Thom Yorke | Anima | XL |
| Tim Hecker | Anoyo | sunblind music |
| Tom Cawley | Catenaccio | Ubuntu |
| Tori Freestone Trio | El Mar de Nubes | Whirlwind |
| Trish Clowes | Ninety Degrees Gravity | Basho |
| Vampire Weekend | Father Of The Bride | Columbia |
| Vanishing Twin | The Age Of Immunology | Fire |
| VEIN Trio | Symphonic Bop | Double Moon |
| Vijay Iyer & Craig Taborn | The Transitory Poems | ECM |
| Vula Viel | Do Not Be Afraid | Vula Viel (s/r) |
| Wadada Leo Smith | Rosa Parks: Pure Love | Tum |
| Weyes Blood | Titanic | Sub Pop |
| White Denim | Side Effects | City Slang |
| William Basinski | On Time Out Of Time | Temporary Residence |
| William Brittelle | Spiritual America | Nonesuch |
| William Tyler | Goes West | Merge |
| Willie Nelson | Ride Me Back Home | Sony |
| Y La Bamba | Mujeres | Tender Loving Empire |
Sunday, June 30, 2019
2019 In New Music: Half Time Report
It's that time of year again - a half time round-up of all the albums I've heard that I think are at least worthy of your time.
Monday, December 31, 2018
2018 in New Music: A Top 20
For those of you interested in what might be my absolute favourites of the year:
20. Richard Thompson - 13 Rivers
19. Tirzah - Devotion
18. Hieroglyphic Being - The Red Notes
17. Anton Hunter - Article XI
16. Brigid Mae Power - The Two Worlds
15. Gwenifer Raymond - You Were Never Much Of A Dancer
14. Flying Machines - New Life
13. Ry Cooder - The Prodigal Son
12. Steve Tibbetts - Life Of
11. Dirty Projectors - Lamp Lit Prose
10. Red River Dialect - Broken Stay Open Sky
9. Domenico Lancelloti - The Good Is A Big God
8. Mary Lattimore - Hundreds Of Days
7. Eiko Ishibashi - The Dream My Bones Dream
6. Cory Smythe - Circulate Susanna
5. Park Jiha - Communion
4. The Necks - Body
3. Mary Halvorson - Code Girl
2. Dan Weiss - Starebaby
1. Low - Double Negative
20. Richard Thompson - 13 Rivers
19. Tirzah - Devotion
18. Hieroglyphic Being - The Red Notes
17. Anton Hunter - Article XI
16. Brigid Mae Power - The Two Worlds
15. Gwenifer Raymond - You Were Never Much Of A Dancer
14. Flying Machines - New Life
13. Ry Cooder - The Prodigal Son
12. Steve Tibbetts - Life Of
11. Dirty Projectors - Lamp Lit Prose
10. Red River Dialect - Broken Stay Open Sky
9. Domenico Lancelloti - The Good Is A Big God
8. Mary Lattimore - Hundreds Of Days
7. Eiko Ishibashi - The Dream My Bones Dream
6. Cory Smythe - Circulate Susanna
5. Park Jiha - Communion
4. The Necks - Body
3. Mary Halvorson - Code Girl
2. Dan Weiss - Starebaby
1. Low - Double Negative
2018 in New Music: Part 5
This is the final part!
Sloth Racket - A Glorious Monster (Luminous)
Cath Roberts' gestural, impressively interactive improvising group continues to go from strength to strength, veering from playful mischief making to substantive force. Thematic preoccupations with animals notable.
Sonar with David Torn - Vortex (RareNoise)
David Torn is such a versatile musician and it's great to hear his multi-faceted approach to guitar playing and live looping in a very different context from his recent solo work.
Sons of Kemet - Your Queen Is A Reptile (Impulse!)
Line-up and label changes seemed to drive Shabaka Hutchings' most successful project further, engaging with deep political and social concerns (attacking the hereditary nature of the British monarchy and celebrating the roles of black women) with steadfast, relentlessly kinetic music. It's been really pleasing to see this band reach wider attention this year, from the Mercury nomination to scoring Wire magazine's album of the year.
SOPHIE - Oil of Every Pearl's Un-Insides (Transgressive)
Adventurous, questing and subversive pop music.
Stefan Schulze - System Tribe (WhyPlayJazz)
I'm grateful to Chris Elcombe from the BBC for including this in the Late Junction year end list as this is an important late discovery that sits very neatly alongside Kelly Moran's Ultraviolet in intriguing approaches to prepared piano music. System Tribe is vibrant, restless, inquisitive music that really does sound like clockwork.
Stephen Malkmus and the Jicks - Sparkle Hard (Domino)
One of Malkmus' strongest post-Pavement works, neatly combining his psych-rock preoccupations with the more angular and unpredictable aspects of his work.
Steve Hauschildt - Dissolve (Ghostly International)
The Ghostly International label has a had a phenomenal 2018, and this thoughtful, reflective and detailed ambient work is a major contribution to that.
Steve Lawson and Pete Fraser - Restless (Bandcamp)
For all of the moanings about the internet in 2018 - here is one of the great things it has enabled: This live improvisation between two outstanding musicians was captured in Birmingham on the 25th November and released via Bandcamp before the year was out. I've long admired Steve Lawson's approach to music (and his willingness to discuss it on social media) and Pete Fraser is a hugely versatile musician with a brilliant range of inspirations. The combination yields fascinating and often surprising results.
**Steve Tibbetts - Life Of (ECM)**
The superb guitarist returns with an album of mostly concise, gently evocative pieces accompanied by his own stately piano playing, the hand percussion of Marc Anderson and the cello and drones of Michelle Kinney.
Stuart A. Staples - Arrythmia (Lucky Dog/City Slang)
Something of a departure for Staples in the immediate context of his solo work but something that makes more sense in the lineage of Tindersticks' soundtrack work, this album consists of four pieces, two of which are long (one very long and constructed from studio improvisations).
Sunwatchers - Sunwatchers II (Trouble In Mind)
Glorious, incandescent jam band rock with added skronk.
Supersilent - 14 (Rune Gramofon)
Still one of the best and most significant improvising units in Europe. But is it jazz? (!!)
Sweet Billy Pilgrim - Wapentak (self released)
Now a very different proposition from the group that received a Mercury nomination for Twice Born Men, Wapentak finds a more collaborative Tim and Jana focusing on song craft and compelling vocal harmonies, and occasionally veering into inspired groove-heavy tangents.
Szun Waves - New Hymn To Freedom (Leaf)
An intriguing supergroup featuring pastoral electronica producer Luke Abbott, Jack Wyllie from Portico Quartet and Laurence Pike, the inventive drummer from PVT. The resulting meditative, synth heavy music is refreshingly far from anything these musicians have done before.
Teresa Winter - What The Night Is For (The Death Of Rave)
Deeply unsettling and nightmarish dissonant crescendos.
Thalia Zedek Band - Fighting Talk (Drag City)
Another set of daring, excoriating music from Thalia Zedek, who continues to breathe new, brave life into the rock band format.
Thandi Ntuli - Exiled (Self released)
A substantial and assured work from the South African pianist and vocalist.
The Body - I Have Fought Against It, But I Can't Any Longer (Thrill Jockey)
Superb title presaging some heavy and visceral music.
The Breeders - All Nerve (4AD)
There could hardly have been a more welcome comeback in 2018, and All Nerve is refreshingly, bracingly alive.
The Cradle - Bag of Holding (NNA Tapes)
Beautiful, delicately ornate song narratives from New York musician Paco Cathcart.
The Dead Tongues - Unsung Passage (Psychic Hotline)
This one seems to have slipped under the radar a bit, but it's a wonderfully captivating set of country tinged songs.
The Good, The Bad and The Queen - Merrie Land (Parlophone)
Damon Albarn's detractors remain vocal, but this strange mix of English folklore and myth making with the Afrobeat grooves of Tony Allen is undeniably potent and mysterious.
The Internet - Hive Mind (Columbia)
Forward and imaginative neo soul with the deep glow of a lava lamp.
**The Necks - Body (ReR)**
Just when you think The Necks have covered just about every angle for their meditative improvisations, they return with a slightly different perspective. Body's insistent but fluttery groove hints at Laughing Stock-era Talk Talk.
The Nels Cline 4 - Currents, Constellations (Blue Note)
Nels Cline's new band has a dream line-up - a dual guitar frontline with Cline and Julian Lage, ably supported by a nimble rhythm section of Scott Colley and Tom Rainey. This is biting, nimble improvisation.
The Other Years - The Other Years (No Quarter)
The duo of Anna Krippenstapel (fiddle player for Joan Shelley) and Heather Summers play absorbing bare bones American folk music with grace and poise.
The Sea and Cake - Any Day (Thrill Jockey)
Bright and driving alternative guitar rock with laser sharp melodies.
The Skiffle Players - Skiff (Spiritual Pajamas)
The brilliant collaborative project helmed by Neal Casal and Cass McCombs yields a second superb of wild narratives and reframed traditions.
The Wave Pictures - Look Inside Your Heart (Moshi Moshi)
The Wave Pictures - Brushes With Happiness (Moshi Moshi)
One of the UK's most prolific and best indie bands, The Wave Pictures continue to refine their oddball songwriting over the course of two albums this year. Brushes With Happiness is the looser, weirder of the two, recorded in just one day.
Theotis Taylor - Something Within Me (Big Legal Mess)
A gospel singer and pianist from Georgia who had garnered a substantial reputation without ever releasing a full length album - until now. Something Within Me augments a rediscovered recording from 1979 with additional accompaniment and is a superb showcase for Taylor's resonant gospel blues.
Thom Yorke - Suspiria (XL)
Appropriately eerie and evocative soundtrack for Luca Guadagnino's reinterpretation of Suspiria shows that Yorke can play Jonny Greenwood at his own game.
Thumbscrew - Ours/Theirs (Cuneiform)
Companion albums from the outstanding, adventurous trio of Michael Formanek, Tomas Fujiwara and Mary Halvorson, the first featuring original compositions and the second devoted to radical reinterpretations. A great example of a band making the jazz tradition malleable.
Tigercats - Pig City (El Segell del Primavera)
Another of the most surprising, playful and inventive UK indie bands make effective forays into Afrobeat-influenced rhythms.
Tim Garland - Weather Walker (Edition)
The great saxophonist and composer continues to explore new contexts for his impressive composition and arrangement skills - here with a new orchestral work with inspirational roots in the Lake District.
Tim Hecker - Konoyo (Sunblind Music)
Hecker's best work since Ravedeath, 1972 - Konoyo finds him working with a gagaku group put together by Tokyo musician Motonori Miura, using electronics to manipulate some intriguing, traditional acoustic sounds in fascinating and empathetic ways.
Tim Rutili and Craig Ross - 10 Seconds To Collapse (Jealous Butcher)
The second collaboration between the Califone frontman and Craig Ross is something of a duopoly between insistent, melodic classic rock and gently manipulated folk music.
**Tirzah - Devotion (Domino)**
Radical, refracted and warped pop music that is also open and tender. Bits of it remind me of Leila's unfairly forgotten masterpiece 'Like Weather', which is clearly no bad thing.
Tomberlin - At Weddings (Saddle Creek)
Beautiful spare songs and the condition of youth.
Tom Ward and Adam Fairhall - Sussurus (Madwort)
Studio recording from the improvising duo, brilliantly utilising both space and sound to create a shifting range of moods and feelings. Brilliant track titles too!
Tori Freestone and Alcyona Mick - Criss Cross (Whirlwind)
Another excellent duo recording characterised by idiosyncratic ideas and inspired playfulness. The superb vocalist Brigitte Beraha guests on two tracks.
Tracyanne and Danny - Tracyanne and Danny (Merge)
Collaboration between two singer-songwriters - Camera Obscura's Tracyanne Campbell and Crybaby's Danny Coughlan. Melodic and imbued with honey drenched classic pop influences. A little subtler and less ebullient than Campbell's work with Camera Obscura.
Trampled By Turtles - Life Is Good On The Open Road (Thirty Tigers)
Modern bluegrass of a piece with Old Crow Medicine Show.
Traveller - Western Movies (Refuge Foundation For The Arts)
Country rock supergroup comprised of Robert Ellis, Cory Chisel and Jonny Fritz.
Trembling Bells - Dungeness (Tin Angel)
The Glasgow band continue to craft a freewheeling, disorientating and discombobulating blend of folk, medieval, psychedelic, rock and improvised music that feels removed from time.
Tropical Fuck Storm - A Laughing Death In Meatspace (Joyful Noise)
Very weird and wonderful deconstructed rock.
Tune-Yards - I Can Feel You Creep Into My Private Life (4AD)
For me, the least effective of Merrill Garbus' albums so far (and one that seems to be consciously reaching for a wider audience) - but this is still at the more unusual and experimental end of modern pop music and it still packs a rhythmic punch.
Ty Segall - Fudge Sandwich (In The Red)
Magnificent slacker rock covers album.
**Tyshawn Sorey - Pillars (Firehouse)**
Tyshawn Sorey is not a musician to do anything by halves, or to make concessions to an audience's ease of access. Pillars is a monumental creation comprising three CDs and four hours worth of deeply patient, meditative, ritualistic and innovative modern music, blending composition and improvisation in increasingly creative ways.
Unknown Mortal Orchestra - Sex and Food (Jagjaguwar)
Inspired, psychedelic antipop capturing the chaos and confusion of modern living.
Vaudou Game - Otodi (Hot Casa)
One of the most striking world music albums of 2018, Otodi is named after the long dormant studio in Togo at which it was recorded.
**Wayne Shorter - Emanon (Blue Note)**
Wayne Shorter's remarkable late career period has been characterised by his finding of new ways of presenting his iconic compositions. Emanon is a gargantuan triple disc set capturing a performance of Shorter's superb quartet in London and one disc comprising a collaboration with the Orpheus Chamber Orchestra. The set also comes with a graphic novel penned by Shorter himself. The full set is expensive and sadly there is no digital version, or indeed any music to sample online. One has to respect Shorter's choices here, but it's a shame I can only include the all-too-brief album trailer. At 85, Shorter is still arguably the greatest living musician, and has closed 2018 by receiving a greatly deserved Kennedy honour.
Virginia Wing - Ecstatic Arrow (Fire)
Recorded in Switzerland with Misha Hering (who also worked on the two A Grave With No Name albums on which I contribute drums and percussion), this is wide ranging and distinctive song craft, with the added inspirations drawn from Yellow Magic Orchestra and Fourth World.
Weeping Bong Band - Weeping Bong Band (Feeding Tube)
Yes there's actually a band called Weeping Bong Band and yes they sound much as you might expect.
White Denim - Performance (City Slang)
Yes they draw heavily (and perhaps a little reverently) from the past, but White Denim execute this music so skilfully that they remain an exciting proposition.
Will Oldham - Songs of Love and Horror (Drag City)
Never one to shy away from revisiting his back catalogue (his songs live and breathe to the extent that he rarely plays them the same way twice), Will Oldham here delivers unadorned and touching acoustic versions of older songs, including three of his most enduring (I See A Darkness, Ohio River Boat Song and New Partner).
Willard Grant Conspiracy - Untethered (Loose)
Stark and haunting final work from the much-missed Robert Fisher.
Willie Hightower - Out of the Blue (Ace)
77 year old rediscovered soul singer returns in excellent voice with a superb set of new southern soul material, produced by 95 year old Quinton Claunch. Remarkable.
Witch Prophet - The Golden Octave (88 Days of Fortune)
Fascinating, wide ranging debut from the Toronto singer-songwriter.
Wolfgang Muthspiel - Where The River Goes (ECM)
Beautiful compositions performed and developed by an all star band (Brad Mehldau, Larry Grenadier, Ambrose Akinmusire, Eric Harland).
Wume - Towards The Shadow (Northern Spy)
Third album from the Baltimore duo, but the first to cross my radar, blending tight grooves with kosmische influences.
Xylouris White - Mother (Bella Union)
George Xylouris and Jim White return with another strange and thrilling meeting of musical minds.
**Yo La Tengo - There's A Riot Going On (Matador)**
As wonderful as they undoubtedly are, it's maybe been a bit too easy to take Yo La Tengo for granted over their past few releases. This one, boldly referencing Sly and the Family Stone's pioneering album, is a substantial work, drenched in hazy beauty and emphasising their gifts for simple melody.
Young Fathers - Cocoa Sugar (Ninja Tune)
I'm still not sure how to describe Young Fathers' music, which seems to be their own distinctive blend of modern pop, R&B, soul and hip hop.
Yves Tumor - Safe In The Hands of Love (Warp)
Yves Tumor's first album for Warp is kaleidoscopic.
Mu-Ziq - Challenge Me Foolish (Planet Mu)
Reliably addictive, whimsical electronica from Mike Paradinas.
ZULI - Terminal (UIQ)
Last but not least, this Egyptian electronic producer makes abrasive, fractured and challenging music that is also hugely exciting too.
That's it - more than 300 albums released this year that caught my attention. I'm not completely sold on all of them, and some I'm unlikely to return to in future years - but I think there's enough of interest on every release I've included here to invite discussion and thought. Some of this music is truly inspiring.
I'd like to take the opportunity to thank all the people who contributed to this list by recommending me albums I might not otherwise have heard. Also thanks to all the musicians and music journalists I follow on Twitter, who remain a great source of information and new enthusiasms. Onwards to 2019!
Sloth Racket - A Glorious Monster (Luminous)
Cath Roberts' gestural, impressively interactive improvising group continues to go from strength to strength, veering from playful mischief making to substantive force. Thematic preoccupations with animals notable.
Sonar with David Torn - Vortex (RareNoise)
David Torn is such a versatile musician and it's great to hear his multi-faceted approach to guitar playing and live looping in a very different context from his recent solo work.
Sons of Kemet - Your Queen Is A Reptile (Impulse!)
Line-up and label changes seemed to drive Shabaka Hutchings' most successful project further, engaging with deep political and social concerns (attacking the hereditary nature of the British monarchy and celebrating the roles of black women) with steadfast, relentlessly kinetic music. It's been really pleasing to see this band reach wider attention this year, from the Mercury nomination to scoring Wire magazine's album of the year.
SOPHIE - Oil of Every Pearl's Un-Insides (Transgressive)
Adventurous, questing and subversive pop music.
Stefan Schulze - System Tribe (WhyPlayJazz)
I'm grateful to Chris Elcombe from the BBC for including this in the Late Junction year end list as this is an important late discovery that sits very neatly alongside Kelly Moran's Ultraviolet in intriguing approaches to prepared piano music. System Tribe is vibrant, restless, inquisitive music that really does sound like clockwork.
Stephen Malkmus and the Jicks - Sparkle Hard (Domino)
One of Malkmus' strongest post-Pavement works, neatly combining his psych-rock preoccupations with the more angular and unpredictable aspects of his work.
Steve Hauschildt - Dissolve (Ghostly International)
The Ghostly International label has a had a phenomenal 2018, and this thoughtful, reflective and detailed ambient work is a major contribution to that.
Steve Lawson and Pete Fraser - Restless (Bandcamp)
For all of the moanings about the internet in 2018 - here is one of the great things it has enabled: This live improvisation between two outstanding musicians was captured in Birmingham on the 25th November and released via Bandcamp before the year was out. I've long admired Steve Lawson's approach to music (and his willingness to discuss it on social media) and Pete Fraser is a hugely versatile musician with a brilliant range of inspirations. The combination yields fascinating and often surprising results.
**Steve Tibbetts - Life Of (ECM)**
The superb guitarist returns with an album of mostly concise, gently evocative pieces accompanied by his own stately piano playing, the hand percussion of Marc Anderson and the cello and drones of Michelle Kinney.
Stuart A. Staples - Arrythmia (Lucky Dog/City Slang)
Something of a departure for Staples in the immediate context of his solo work but something that makes more sense in the lineage of Tindersticks' soundtrack work, this album consists of four pieces, two of which are long (one very long and constructed from studio improvisations).
Sunwatchers - Sunwatchers II (Trouble In Mind)
Glorious, incandescent jam band rock with added skronk.
Supersilent - 14 (Rune Gramofon)
Still one of the best and most significant improvising units in Europe. But is it jazz? (!!)
Sweet Billy Pilgrim - Wapentak (self released)
Now a very different proposition from the group that received a Mercury nomination for Twice Born Men, Wapentak finds a more collaborative Tim and Jana focusing on song craft and compelling vocal harmonies, and occasionally veering into inspired groove-heavy tangents.
Szun Waves - New Hymn To Freedom (Leaf)
An intriguing supergroup featuring pastoral electronica producer Luke Abbott, Jack Wyllie from Portico Quartet and Laurence Pike, the inventive drummer from PVT. The resulting meditative, synth heavy music is refreshingly far from anything these musicians have done before.
Teresa Winter - What The Night Is For (The Death Of Rave)
Deeply unsettling and nightmarish dissonant crescendos.
Thalia Zedek Band - Fighting Talk (Drag City)
Another set of daring, excoriating music from Thalia Zedek, who continues to breathe new, brave life into the rock band format.
Thandi Ntuli - Exiled (Self released)
A substantial and assured work from the South African pianist and vocalist.
The Body - I Have Fought Against It, But I Can't Any Longer (Thrill Jockey)
Superb title presaging some heavy and visceral music.
The Breeders - All Nerve (4AD)
There could hardly have been a more welcome comeback in 2018, and All Nerve is refreshingly, bracingly alive.
The Cradle - Bag of Holding (NNA Tapes)
Beautiful, delicately ornate song narratives from New York musician Paco Cathcart.
The Dead Tongues - Unsung Passage (Psychic Hotline)
This one seems to have slipped under the radar a bit, but it's a wonderfully captivating set of country tinged songs.
The Good, The Bad and The Queen - Merrie Land (Parlophone)
Damon Albarn's detractors remain vocal, but this strange mix of English folklore and myth making with the Afrobeat grooves of Tony Allen is undeniably potent and mysterious.
The Internet - Hive Mind (Columbia)
Forward and imaginative neo soul with the deep glow of a lava lamp.
**The Necks - Body (ReR)**
Just when you think The Necks have covered just about every angle for their meditative improvisations, they return with a slightly different perspective. Body's insistent but fluttery groove hints at Laughing Stock-era Talk Talk.
The Nels Cline 4 - Currents, Constellations (Blue Note)
Nels Cline's new band has a dream line-up - a dual guitar frontline with Cline and Julian Lage, ably supported by a nimble rhythm section of Scott Colley and Tom Rainey. This is biting, nimble improvisation.
The Other Years - The Other Years (No Quarter)
The duo of Anna Krippenstapel (fiddle player for Joan Shelley) and Heather Summers play absorbing bare bones American folk music with grace and poise.
The Sea and Cake - Any Day (Thrill Jockey)
Bright and driving alternative guitar rock with laser sharp melodies.
The Skiffle Players - Skiff (Spiritual Pajamas)
The brilliant collaborative project helmed by Neal Casal and Cass McCombs yields a second superb of wild narratives and reframed traditions.
The Wave Pictures - Look Inside Your Heart (Moshi Moshi)
The Wave Pictures - Brushes With Happiness (Moshi Moshi)
One of the UK's most prolific and best indie bands, The Wave Pictures continue to refine their oddball songwriting over the course of two albums this year. Brushes With Happiness is the looser, weirder of the two, recorded in just one day.
Theotis Taylor - Something Within Me (Big Legal Mess)
A gospel singer and pianist from Georgia who had garnered a substantial reputation without ever releasing a full length album - until now. Something Within Me augments a rediscovered recording from 1979 with additional accompaniment and is a superb showcase for Taylor's resonant gospel blues.
Thom Yorke - Suspiria (XL)
Appropriately eerie and evocative soundtrack for Luca Guadagnino's reinterpretation of Suspiria shows that Yorke can play Jonny Greenwood at his own game.
Thumbscrew - Ours/Theirs (Cuneiform)
Companion albums from the outstanding, adventurous trio of Michael Formanek, Tomas Fujiwara and Mary Halvorson, the first featuring original compositions and the second devoted to radical reinterpretations. A great example of a band making the jazz tradition malleable.
Tigercats - Pig City (El Segell del Primavera)
Another of the most surprising, playful and inventive UK indie bands make effective forays into Afrobeat-influenced rhythms.
Tim Garland - Weather Walker (Edition)
The great saxophonist and composer continues to explore new contexts for his impressive composition and arrangement skills - here with a new orchestral work with inspirational roots in the Lake District.
Tim Hecker - Konoyo (Sunblind Music)
Hecker's best work since Ravedeath, 1972 - Konoyo finds him working with a gagaku group put together by Tokyo musician Motonori Miura, using electronics to manipulate some intriguing, traditional acoustic sounds in fascinating and empathetic ways.
Tim Rutili and Craig Ross - 10 Seconds To Collapse (Jealous Butcher)
The second collaboration between the Califone frontman and Craig Ross is something of a duopoly between insistent, melodic classic rock and gently manipulated folk music.
**Tirzah - Devotion (Domino)**
Radical, refracted and warped pop music that is also open and tender. Bits of it remind me of Leila's unfairly forgotten masterpiece 'Like Weather', which is clearly no bad thing.
Tomberlin - At Weddings (Saddle Creek)
Beautiful spare songs and the condition of youth.
Tom Ward and Adam Fairhall - Sussurus (Madwort)
Studio recording from the improvising duo, brilliantly utilising both space and sound to create a shifting range of moods and feelings. Brilliant track titles too!
Tori Freestone and Alcyona Mick - Criss Cross (Whirlwind)
Another excellent duo recording characterised by idiosyncratic ideas and inspired playfulness. The superb vocalist Brigitte Beraha guests on two tracks.
Tracyanne and Danny - Tracyanne and Danny (Merge)
Collaboration between two singer-songwriters - Camera Obscura's Tracyanne Campbell and Crybaby's Danny Coughlan. Melodic and imbued with honey drenched classic pop influences. A little subtler and less ebullient than Campbell's work with Camera Obscura.
Trampled By Turtles - Life Is Good On The Open Road (Thirty Tigers)
Modern bluegrass of a piece with Old Crow Medicine Show.
Traveller - Western Movies (Refuge Foundation For The Arts)
Country rock supergroup comprised of Robert Ellis, Cory Chisel and Jonny Fritz.
Trembling Bells - Dungeness (Tin Angel)
The Glasgow band continue to craft a freewheeling, disorientating and discombobulating blend of folk, medieval, psychedelic, rock and improvised music that feels removed from time.
Tropical Fuck Storm - A Laughing Death In Meatspace (Joyful Noise)
Very weird and wonderful deconstructed rock.
Tune-Yards - I Can Feel You Creep Into My Private Life (4AD)
For me, the least effective of Merrill Garbus' albums so far (and one that seems to be consciously reaching for a wider audience) - but this is still at the more unusual and experimental end of modern pop music and it still packs a rhythmic punch.
Ty Segall - Fudge Sandwich (In The Red)
Magnificent slacker rock covers album.
**Tyshawn Sorey - Pillars (Firehouse)**
Tyshawn Sorey is not a musician to do anything by halves, or to make concessions to an audience's ease of access. Pillars is a monumental creation comprising three CDs and four hours worth of deeply patient, meditative, ritualistic and innovative modern music, blending composition and improvisation in increasingly creative ways.
Unknown Mortal Orchestra - Sex and Food (Jagjaguwar)
Inspired, psychedelic antipop capturing the chaos and confusion of modern living.
Vaudou Game - Otodi (Hot Casa)
One of the most striking world music albums of 2018, Otodi is named after the long dormant studio in Togo at which it was recorded.
**Wayne Shorter - Emanon (Blue Note)**
Wayne Shorter's remarkable late career period has been characterised by his finding of new ways of presenting his iconic compositions. Emanon is a gargantuan triple disc set capturing a performance of Shorter's superb quartet in London and one disc comprising a collaboration with the Orpheus Chamber Orchestra. The set also comes with a graphic novel penned by Shorter himself. The full set is expensive and sadly there is no digital version, or indeed any music to sample online. One has to respect Shorter's choices here, but it's a shame I can only include the all-too-brief album trailer. At 85, Shorter is still arguably the greatest living musician, and has closed 2018 by receiving a greatly deserved Kennedy honour.
Virginia Wing - Ecstatic Arrow (Fire)
Recorded in Switzerland with Misha Hering (who also worked on the two A Grave With No Name albums on which I contribute drums and percussion), this is wide ranging and distinctive song craft, with the added inspirations drawn from Yellow Magic Orchestra and Fourth World.
Weeping Bong Band - Weeping Bong Band (Feeding Tube)
Yes there's actually a band called Weeping Bong Band and yes they sound much as you might expect.
White Denim - Performance (City Slang)
Yes they draw heavily (and perhaps a little reverently) from the past, but White Denim execute this music so skilfully that they remain an exciting proposition.
Will Oldham - Songs of Love and Horror (Drag City)
Never one to shy away from revisiting his back catalogue (his songs live and breathe to the extent that he rarely plays them the same way twice), Will Oldham here delivers unadorned and touching acoustic versions of older songs, including three of his most enduring (I See A Darkness, Ohio River Boat Song and New Partner).
Willard Grant Conspiracy - Untethered (Loose)
Stark and haunting final work from the much-missed Robert Fisher.
Willie Hightower - Out of the Blue (Ace)
77 year old rediscovered soul singer returns in excellent voice with a superb set of new southern soul material, produced by 95 year old Quinton Claunch. Remarkable.
Witch Prophet - The Golden Octave (88 Days of Fortune)
Fascinating, wide ranging debut from the Toronto singer-songwriter.
Wolfgang Muthspiel - Where The River Goes (ECM)
Beautiful compositions performed and developed by an all star band (Brad Mehldau, Larry Grenadier, Ambrose Akinmusire, Eric Harland).
Wume - Towards The Shadow (Northern Spy)
Third album from the Baltimore duo, but the first to cross my radar, blending tight grooves with kosmische influences.
Xylouris White - Mother (Bella Union)
George Xylouris and Jim White return with another strange and thrilling meeting of musical minds.
**Yo La Tengo - There's A Riot Going On (Matador)**
As wonderful as they undoubtedly are, it's maybe been a bit too easy to take Yo La Tengo for granted over their past few releases. This one, boldly referencing Sly and the Family Stone's pioneering album, is a substantial work, drenched in hazy beauty and emphasising their gifts for simple melody.
Young Fathers - Cocoa Sugar (Ninja Tune)
I'm still not sure how to describe Young Fathers' music, which seems to be their own distinctive blend of modern pop, R&B, soul and hip hop.
Yves Tumor - Safe In The Hands of Love (Warp)
Yves Tumor's first album for Warp is kaleidoscopic.
Mu-Ziq - Challenge Me Foolish (Planet Mu)
Reliably addictive, whimsical electronica from Mike Paradinas.
Last but not least, this Egyptian electronic producer makes abrasive, fractured and challenging music that is also hugely exciting too.
That's it - more than 300 albums released this year that caught my attention. I'm not completely sold on all of them, and some I'm unlikely to return to in future years - but I think there's enough of interest on every release I've included here to invite discussion and thought. Some of this music is truly inspiring.
I'd like to take the opportunity to thank all the people who contributed to this list by recommending me albums I might not otherwise have heard. Also thanks to all the musicians and music journalists I follow on Twitter, who remain a great source of information and new enthusiasms. Onwards to 2019!
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